What if there was a cover-up so big that even the President was on a need-to-know basis? And what if some average guy stumbled upon the truth – a secret so powerful it could literally change the course of humanity? You think that guy would stand a chance of survival?
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What if we were not alone?

What if the hundreds of thousands of people claiming to have seen unidentified flying objects, in fact had been witnesses to extra terrestrial spacecraft?

The day before Disclosure

What if the thousands of people all over the world who tell about their encounters with alien beings through friendly contact or even forced abductions, were actually telling the truth?

What if our governments had known about an ET-presence for more than half a century, if they were in possession of alien technology that had the potential of changing how our world is run, and they chose to keep the public in the dark through a campaign of informational suppression?

What if that campaign acted as a chain around the ankles of humanity, keeping us from rising to a whole new level of consciousness and understanding of our selves, our planet and the universe around us?

And what if that campaign ended tomorrow?

The Day Before Disclosure is a film documenting the growing awareness and the build up to what can potentially be the single, most important event in human history – the day the UFO and ET presence becomes a world wide accepted reality. This is the story of the witnesses that was laughed at, the researchers and reporters that wasn’t believed and the governmental and military personnel that were sworn to silence.

A story that alters the foundation of everything you thought you knew, and takes you along for a ride all the way from the darkest abyss of living nightmares, through to the brightest hope for the future of humanity.

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Empire of Illusion: The End of Literacy and the Triumph of Spectacle

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Journalist Chris Hedges discusses his recent book Empire of Illusion: the End of Literacy and the Triumph of Spectacle. In it, he charts the dramatic rise of a post-literate society that craves fantasy, ecstasy, and illusion. Hedges argues we now live in two societies: one, the minority, functions in a print-based, literate world and can cope with complexity and can separate illusion from truth; the other, a growing majority, is retreating from a reality-based world into one of false certainty and magic where serious film and theater, as well as newspapers and books, are being pushed to the margins.

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Whitest Kids You Know – Moon Bears

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Six Zionist Companies Own 96% of the World’s Media

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The power of lies, deceptions and disinformation as Americans pay the price of collective stupidity.

“You know very well, and the stupid Americans know equally well, that we control their government, irrespective of who sits in the White House. You see, I know it and you know it that no American president can be in a position to challenge us even if we do the unthinkable. What can they (Americans) do to us? We control congress, we control the media, we control show biz, and we control everything in America. In America you can criticize God, but you can’t criticize Israel…” Israeli spokeswoman, Tzipora Menache


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The largest media conglomerate today is Walt Disney Company, whose chairman and CEO, Michael Eisner, is a Jew. The Disney Empire, headed by a man described by one media analyst as a “control freak”, includes several television production companies (Walt Disney Television, Touchstone Television, Buena Vista Television), its own cable network with 14 million subscribers, and two video production companies. As for feature films, the Walt Disney Picture Group, headed by Joe Roth (also a Jew), includes Touchstone Pictures, Hollywood Pictures, and Caravan Pictures. Disney also owns Miramax Films, run by the Weinstein brothers. When the Disney Company was run by the Gentile Disney family prior to its takeover by Eisner in 1984, it epitomized wholesome, family entertainment. While it still holds the rights to Snow White, under Eisner, the company has expanded into the production of graphic sex and violence. In addition, it has 225 affiliated stations in the United States and is part owner of several European TV companies. ABC’s cable subsidiary, ESPN, is headed by president and CEO Steven Bornstein, a Jew. This corporation also has a controlling share of Lifetime Television and the Arts & Entertainment Network cable companies. ABC Radio Network owns eleven AM and ten FM stations, again in major cities such as New York, Washington, Los Angeles, and has over 3,400 affiliates. Although primarily a telecommunications company, Capital Cities/ABC earned over $1 billion in publishing in 1994. It owns seven daily newspapers, Fairchild Publications, Chilton Publications, and the Diversified Publishing Group. Time Warner, Inc, is the second of the international media leviathans. The chairman of the board and CEO, Gerald Levin, is a Jew. Time Warner’s subsidiary HBO is the country’s largest pay-TV cable network. Warner Music is by far the world’s largest record company, with 50 labels, the biggest of which is Warner Brothers Records, headed by Danny Goldberg. Stuart Hersch is president of Warnervision, Warner Music’s video production unit. Goldberg and Hersch are Jews. Warner Music was an early promoter of “gangsta rap.” Through its involvement with Interscope Records, it helped popularize a genre whose graphic lyrics explicitly urge Blacks to commit acts of violence against Whites. In addition to cable and music, Time Warner is heavily involved in the production of feature films (Warner Brothers Studio) and publishing. Time Warner’s publishing division (editor-in-chief Norman Pearlstine, a Jew) is the largest magazine publisher in the country (Time, Sports Illustrated, People, Fortune). When Ted Turner, a Gentile, made a bid to buy CBS in 1985, there was panic in media boardrooms across the nation. Turner made a fortune in advertising and then had built a successful cable-TV news network, CNN.

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Although Turner employed a number of Jews in key executive positions in CNN and had never taken public positions contrary to Jewish interests, he is a man with a large ego and a strong personality and was regarded by Chairman William Paley (real name Palinsky, a Jew) and the other Jews at CBS as uncontrollable: a loose cannon who might at some time in the future turn against them. Furthermore, Jewish newsman Daniel Schorr, who had worked for Turner, publicly charged that his former boss held a personal dislike for Jews. To block Turner’s bid, CBS executives invited billionaire Jewish theater, hotel, insurance, and cigarette magnate Laurence Tisch to launch a “friendly” takeover of the company, and from 1986 till 1995 Tisch was the chairman and CEO of CBS, removing any threat of non-Jewish influence there. Subsequent efforts by Turner to acquire a major network have been obstructed by Levin’s Time Warner, which owns nearly 20 percent of CBS stock and has veto power over major deals. Viacom, Inc, headed by Sumner Redstone (born Murray Rothstein), a Jew, is the third largest megamedia corporation in the country, with revenues of over $10 billion a year. Viacom, which produces and distributes TV programs for the three largest networks, owns 12 television stations and 12 radio stations. It produces feature films through Paramount Pictures, headed by Jewess Sherry Lansing. Its publishing division includes Prentice Hall, Simon & Schuster, and Pocket Books. It distributes videos through over 4,000 Blockbuster stores. Viacom’s chief claim to fame, however, is as the world’s largest provider of cable programming, through its Showtime, MTV, Nickelodeon, and other networks. Since 1989, MTV and Nickelodeon have acquired larger and larger shares of the younger television audience. With the top three, and by far the largest, media companies in the hand of Jews, it is difficult to believe that such an overwhelming degree of control came about without a deliberate, concerted effort on their part. What about the other big media companies? Number four on the list is Rupert Murdoch’s News Corporation, which owns Fox Television and 20th Century Fox Films. Murdoch is a Gentile, but Peter Chermin, who heads Murdoch’s film studio and also oversees his TV production, is a Jew. Number five is the Japanese Sony Corporation, whose U.S. subsidiary, Sony Corporation of America, is run by Michael Schulhof, a Jew. Alan Levine, another Jew, heads the Sony Pictures division. Most of the television and movie production companies that are not owned by the largest corporations are also controlled by Jews. For example, New World Entertainment, proclaimed by one media analyst as “the premiere independent TV program producer in the United States,” is owned by Ronald Perelman, a Jew. The best known of the smaller media companies, Dreamworks SKG, is a strictly kosher affair. Dream Works was formed in 1994 amid great media hype by recording industry mogul David Geffen, former Disney Pictures chairman Jeffrey Katzenberg, and film director Steven Spielberg, all three of whom are Jews. The company produces movies, animated films, television programs, and recorded music. Two other large production companies, MCA and Universal Pictures, are both owned by Seagram Company, Ltd. The president and CEO of Seagram, the liquor giant, is Edgar Bronfman Jr., who is also president of the World Jewish Congress. It is well known that Jews have controlled the production and distribution of films since the inception of the movie industry in the early decades of the 20th century. This is still the case today. Films produced by just the five largest motion picture companies mentioned above-Disney, Warner Brothers, Sony, Paramount (Viacom), and Universal (Seagram)-accounted for 74 per cent of the total box-office receipts for the first eight months of 1995. The big three in television network broadcasting used to be ABC, CBS, and NBC. With the consolidation of the media empires, these three are no longer independent entities. While they were independent, however, each was controlled by a Jew since its inception: ABC by Leonard Goldenson, CBS first by William Paley and then by Lawrence Tisch, and NBC first by David Sarnoff and then by his son Robert. Over periods of several decades, these networks were staffed from top to bottom with Jews, and the essential Jewishness of network television did not change when the networks were absorbed by other corporations. The Jewish presence in television news remains particularly strong. As noted, ABC is part of Eisner’s Disney Company, and the executive producers of ABC’s news programs are all Jews: Victor Neufeld (20-20), Bob Reichbloom (Good Morning America), and Rick Kaplan (World News Tonight). CBS was recently purchased by Westinghouse Electric Corporation. Nevertheless, the man appointed by Lawrence Tisch, Eric Ober, remains president of CBS News, and Ober is a Jew. At NBC, now owned by General Electric, NBC News president Andrew Lack is a Jew, as are executive producers Jeff Zucker (Today), Jeff Gralnick (NBC Nightly News), and Neal Shapiro (Dateline). The Print Media After television news, daily newspapers are the most influential information medium in America. Sixty million of them are sold (and presumably read) each day. These millions are divided among some 1,500 different publications. One might conclude that the sheer number of different newspapers across America would provide a safeguard against Jewish control and distortion. However, this is not the case. There is less independence, less competition, and much less representation of our interests than a casual observer would think. The days when most cities and even towns had several independently owned newspapers published by local people with close ties to the community are gone. Today, most “local” newspapers are owned by a rather small number of large companies controlled by executives who live and work hundreds or ever thousands of miles away. The fact is that only about 25 per cent of the country’s 1,500 papers are independently owned; the rest belong to multi-newspaper chains. Only a handful are large enough to maintain independent reporting staffs outside their own communities; the rest depend on these few for all of their national and international news. The Newhouse empire of Jewish brothers Samuel and Donald Newhouse provides an example of more than the lack of real competition among America’s daily newspapers: it also illustrates the insatiable appetite Jews have shown for all the organs of opinion control on which they could fasten their grip. The Newhouses own 26 daily newspapers, including several large and important ones, such as the Cleveland Plain Dealer, the Newark Star-Ledger, and the New Orleans Times-Picayune; the nation’s largest trade book publishing conglomerate, Random House, with all its subsidiaries; Newhouse Broadcasting, consisting of 12 television broadcasting stations and 87 cable-TV systems, including some of the country’s largest cable networks; the Sunday supplement Parade, with a circulation of more than 22 million copies per week; some two dozen major magazines, including the New Yorker, Vogue, Madmoiselle, Glamour, Vanity Fair, Bride’s, Gentlemen’s Quarterly, Self, House & Garden, and all the other magazines of the wholly owned Conde Nast group. This Jewish media empire was founded by the late Samuel Newhouse, an immigrant from Russia. The gobbling up of so many newspapers by the Newhouse family was in large degree made possible by the fact that newspapers are not supported by their subscribers, but by their advertisers. It is advertising revenue–not the small change collected from a newspaper’s readers–that largely pays the editor’s salary and yields the owner’s profit. Whenever the large advertisers in a city choose to favor one newspaper over another with their business, the favored newspaper will flourish while its competitor dies. Since the beginning of the 20th century, when Jewish mercantile power in America became a dominant economic force, there has been a steady rise in the number o
f American newspapers in Jewish hands, accompanied by a steady decline in the number of competing Gentile newspapers–primarily as a result of selective advertising policies by Jewish merchants. Furthermore, even those newspapers still under Gentile ownership and management are so thoroughly dependent upon Jewish advertising revenue that their editorial and news reporting policies are largely constrained by Jewish likes and dislikes. It holds true in the newspaper business as elsewhere that he who pays the piper calls the tune.  Full Article…

See: Mainstream Pakistani media and their links with NeoCon Zionists

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Big Pharma hired ghostwriters to distort truth about hormone replacement therapy drugs

Tuesday, October 05, 2010 by: S. L. Baker, features writer

When medical journals and journal supplements publish scientific information about drug research, you know the information has been carefully reviewed and is accurate and factual, right? Wrong. It has now been documented that Big Pharma has literally paid writers to twist the truth about bad outcomes and to sneak distorted information and marketing messages into so-called “serious” medical journal articles.

Those facts have been revealed by the first academic analysis of 1500 documents unsealed in a lawsuit against pharmaceutical giant Wyeth (now part of Pfizer). The litigation was filed in July of last year against menopausal hormone manufacturers by 14,000 plaintiffs whose claims related to the development of breast cancer while taking the hormone therapy (HT) Prempro (conjugated equine estrogens). The shocking facts that came out during the case resulted in a US federal court decision to release the documents to the public.

An investigation of these documents, which was just published in PLoS Medicine, reveals precisely how pharmaceutical companies used ghostwriters to insert what amounts to ads-in-disguise into articles published in medical journals and journal supplements. For example, Dr. Adriane Fugh-Berman, associate professor in the Department of Physiology at Georgetown University Medical Center in Washington DC, analyzed dozens of ghostwritten reviews and commentaries about Prempro which were published in medical journals and journal supplements. Read more…


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